Tuesday, December 7

Demon Queen (1986) - 1987 Mogul Communications VHS

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Since this tape sold on eBay earlier (and my meager bid toppled), I dug out my MOGUL of Donald Farmer's DEMON QUEEN, with cover art from Umberto Lenzi's Nightmare City (1980), from the catacombs. While a healthy number of these early '80s shot-on-video gore bombs made the transition to disc, Farmer's debut remains extremely obscure on video. As you can see, some asshole rental joint, "Backstage Video" to be exact, chopped down the studio's puffy clamshell-sized cover to shoehorn it into a small plastic case. Bastards.

This tape is ridiculously rare and one of the rarest of MOGUL's fantastic releases. Harder-to-find than Fury (1978) or The Icebox Murders (1982). Consorting with fellow VHS fiends on Facebook, I've learned that SOV madman Mario Dominick of Critical Condition and Horror Society only knows of two or three others besides himself that own this tape and the mangled copy on eBay is the best condition he has seen this in thus far. I haven't watched my copy due to the cassette being a large reel T-60 (notice how the auction copy appears to be a regular T-120). My current VCR has "hunger" handling issues with such tapes. Here's a very knowledgeable review by "capkronos" (get a blog man!) on the IMDB:

"During the video boom era of the 80s, distributors were so desperate for new product to add to their catalogues they'd release just about anything they could get their hands on. Foreign films and made-for-TV movies were popular acquisitions, but thanks to access to affordable consumer grade camcorders, a whole new generation of "filmmakers" came into the picture with various no-budget releases. Johnn Wintergate's awful-but-hilarious BOARDINGHOUSE (1982) was the first notable camcorder effort to turn up on home video (on the short-lived Betamax format under the title HOUSEGEIST), though it apparently was also shown in theaters first! There was also SLEDGE HAMMER (1984), a slasher from David A. Prior, followed by Christopher Lewis' BLOOD CULT (1985), which proudly claimed to be the very first movie made specifically for the home video market. Just one year later, director Donald Farmer fired up his own trusty camcorder and gave us his first of many attempts at horror - DEMON QUEEN (1986), which was shot in both the Miami, Florida and Nashville, Tennessee areas and involves a seductive vampire-demon-succubus. I won't lie, this film is truly terrible in every sense of the word. Sloppy continuity errors, sound that frequently cuts out, opening and closing credits with misspelled words, actors grinning when they shouldn't and badly flubbed lines of dialogue are all allowed to pass into the finished product. It's also very badly padded out. If you cut out the opening and closing credits, the film runs just 46 minutes! There's also a pointless dream sequence of the the demon queen ripping out some guy's heart. That whole sequence lasts a gruelingly long 8 minutes.

Uncut MOGUL vs. butchery
The story centers around Jesse (Dennis Stewart), a lowly drug pusher in an unhappy relationship with bitchy, strung-out girlfriend Wendy (Patti Valliere). Jesse owes dwarf coke dealer Izzie (Ric Foster) six-thousand bucks and when Izzie has his henchman Bone (Cliff Dance) come to collect, a sexy and mysterious female in shades shows up to save the day. Jesse, who was temporarily knocked out, awakens to find Bone dead on the ground, his throat ripped out, and the woman who did it - Lucinda (Mary Fanaro) - in need of a place to stay. Jesse figures he owes Lucinda at least one favor since she saved his life and lets her come crash at his pad. Naturally, Lucinda turns out to be some kind of evil demon-succubus-vampire monster who likes to seduce men, rip out their hearts and then rub them on her bare breasts. Some of those killed by Lucinda return as flesh-eating zombies. To pad out the thin storyline, we get a succession of victims in random scenes getting stalked and killed. To pad out the thin storyline even more, there are several scenes that take place at a video store, where the horror-loving owner talks to a couple renting MAKE THEM DIE SLOWLY, and deals with a bitchy customer who only wants to rent Barbra Streisand movies.

Fanaro, who has some screen presence, is one aspect of the film they did manage to get right. She's tall, thin, has an alluringly husky voice and a short, spiky hairstyle that reminded me of LA FEMME NIKITA star Anne Parillaud (who got to play a sexy vampire herself in 1992's INNOCENT BLOOD). Fanaro went on to some other roles in higher-profile movies and television shows, and also got to star in Tim Ritter's TRUTH OR DARE around the same time. The less said about the rest of the cast the better. 


There are topless scenes from the leading lady and another actress (who is killed in the bathtub), as well as a couple of OK ripped-throats-gushing-blood effects. The succubus in her demon form is only seen in a few brief flashes but looks like a torched Muppet. One hilariously botched effect occurs when the main actor is struggling with one of the zombies at the very end. Obviously he was supposed to reach up and tear off the zombie's skin to reveal a skull face underneath. Unfortunately, the layer of skin he grabs doesn't come all the way off on the first try, so he casually has to reach up a second time and pull the rest of the way off! To supplement the Casio Keyboard soundtrack, there are also several original cheesy pop-rock songs that I happened to love. They're sung by a female vocalist. One of them goes "Let me be your angel fire... Let me be your one desire..." and is listed as "AngleFire" in the end credits. Ha! You gotta love this kind of stuff, right?"

1 comment:

Jessie James said...

Cut boxes are not that bad. At least you have a rare film. The box art is only 1/2 of the deal with collecting. You can still enjoy the film. I would rather have a cut box than a tape with horrible tracking problems :)

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